23 Pedals from Analog Man

Wah

$192.50–$242.50

A seagull-cry pedal for Gilmour's Echoes sound, with no foot treadle. The Deluxe version adds a fixed-position wah.

Modulation

$245–$335

Analog Man's full-size analog chorus on new-old-stock MN3007 chips, with room for a mix knob, depth toggle and top jacks.

Delay

$339–$459

A hand-made two-channel analog bucket-brigade delay with an effects loop and expression jack. Tap tempo and modulation come from the separate AMAZE1 controller.

Fuzz

$195

A fuzz based on the 1960s Sam Ash Fuzzz Boxx and Astrotone, sitting between fuzz and distortion and easy to hear in a band mix.

Boost

$163–$353

A JFET booster with over 20 dB of gain for pushing tube amps into breakup, originally designed by Robbie Wallace and built by Analog Man since 2010.

Boost

$225–$255

Analog Man's Rangemaster-style treble booster, made to push a tube amp into rich crunch rather than act as a clean boost. Normal and Mini sizes, silicon or germanium.

Modulation

$295–$395

Analog Man's chorus with two sets of speed and depth controls, so you can footswitch between two chorus settings. True stereo optional.

Compression

$295–$420

The full-size dual compressor: a Ross-style CompROSSor and an Orange Squeezer-style Juicer with external mix and attack knobs and widely spaced footswitches.

Envelope Filter

$235

An updated 1970s MXR envelope filter with an added emphasis knob and an up/down toggle for Mu-Tron-style reverse sweeps.

Modulation

$365–$465

The Analog Man chorus built into a wah-style rocker enclosure, so you set the chorus speed with your foot.

Compression

$179–$249

A one-knob compressor based on the original Dan Armstrong Orange Squeezer, great for stacking into overdrive. Mini, MXR-size and plug-in versions.

Overdrive

$335–$515

Analog Man's famous two-sided overdrive, built with Jim Weider as a more open, less compressed alternative to a Tube Screamer. Sold through a long email wait list.

Compression

$235–$275

The full-size version of Analog Man's improved Ross-style compressor, with external attack and mix knobs as standard.

Compression

$295–$360

The Bi-CompROSSor's two compressors in the footprint of one small comp, with mix and attack set inside by default and closely spaced footswitches.

Modulation

$249–$354

The same circuit and sound as the Analog Man Chorus in a smaller box. The trade-off is less room for options.

Overdrive

$255

A collaboration with Colby Amps that recreates the original Boss OD-1, the first compact overdrive, using new-old-stock chips.

Fuzz

$189–$244

A nastier, buzzier germanium fuzz than the Sun Face, aimed at mid-1960s Fuzzrite and Maestro-style sounds.

Overdrive

$195–$240

Essentially one side of the King of Tone in a single-channel pedal, with an external switch for overdrive, boost and distortion modes. No wait list; sold in weekly batches.

Compression

$198–$298

Analog Man's compact Ross/Dyna Comp-style compressor with new-old-stock CA3080 chips and optional external attack and mix knobs.

Fuzz

$295–$375

A blueprinted three-transistor Tone Bender MK-III/MK-IV with a tone knob, modeled on original Sola Sound, Colorsound and Vox units.

Fuzz

$295–$350

Analog Man's take on the early two-knob Tone Bender MK1.5, with an added bias knob for brighter, gated or softer fuzz tones.

Fuzz

$195–$345

Analog Man's built-to-order Fuzz Face, covering every classic version with a long menu of germanium and silicon transistor choices.

Fuzz

$365–$519

A Beano Boost and a Sun Face fuzz in one enclosure, the classic treble-booster-into-fuzz combination.